An epic retelling of an interesting chapter from Maratha history
The film, which was delayed due to the pandemic, is based on just one of the most renowned incidents from Maratha history – the Fight of Pavan Khind. At the outset, the makers make it distinct that this is not a complete documentation of the fight, its prelude or aftermath, but a cinematic recreation intended to showcase the bravery of the Marathas associated in this struggle. So, there are cinematic liberties taken in this retelling, but the crux of the tale is taken care of.
The story about the Fight of Pavan Khind (earlier acknowledged as Ghod Khind) and the bravery displayed by Bajiprabhu Deshpande and the Bandal military of 600 towards the Siddhi Masud and the troopers of the Adilshahi Sultanate is very well identified throughout Maharashtra. The final result – Chhatrapati Shivaji Maharaj’s productive escape from Panhalgad to Vishalgad. But, does Lanjekar be successful in recreating this crucial chapter from Marathi historical past on display screen? Unquestionably!
Pawankhind is a extensive cinematic practical experience that is match for the big display. The film is formidable in striving to examine this story in two and a 50 % several hours, but it mostly succeeds in making the ideal build up and ambience that sales opportunities to a great climax. From laying out the rationale and the people included in it, to the siege of Panhala by Siddhi Jauhar, the escape system and the true struggle, Pawankhind lays out all its cards in front you chronologically, whilst inducing a dose of record, drama and even comedian relief in in between. The movie does not overlook out on giving due credit rating to the greater part of the generals who assisted Shivaji Maharaj realise his dream of Swarajya.
As for the actors, it is not an effortless job to deliver some of the most perfectly –known names from the Marathi movie and Tv marketplace jointly in a multi-starrer of this scale. But the casting office and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal each and every actor has given his greatest to their roles. Even the supporting solid has some memorable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. Yet another noteworthy efficiency that stands out is that of Ajinkya Nanaware as Shiva Kashid, the gentleman who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are sure to deliver tears to your eyes.
When Pawankhind excels in storytelling, the specialized features, nevertheless good, could have been much better. The track record rating overpowers dialogues in some vital scenes, and the action choreography in some scenes fails to make the minimize. Even so, all reported and completed, the full workforce has done its finest to make this a big display knowledge. Perhaps with a greater spending plan, these items can be ironed out in the pursuing films of Lanjekar’s series.
For now, Pawankhind is a terrific view, and at the cinemas only.
